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Massimo Zanetti

Massimo Zanetti is internationally recognized as one of the leading conductors of his generation

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Slide Massimo Zanetti Conductor

Music Director of the Gyeonggi Philharmonic Orchestra

Territory: Asia and special projects
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Zanetti is an electrifying and energetic conductor, who also understands how to charm with the most evocative lyricism.

———Codelario

Massimo Zanetti is internationally recognized as one of the leading conductors of his generation. His career started early with major awards and has taken him to the most renowned Opera Houses and Concert Halls in the world. From 1999 to 2002 he was Music Director at the Flemish Opera Antwerp/Gent and from 2018 to 2022 Music Director of the Gyeonggi Philharmonic Orchestra: under his leadership, the orchestra has been recognized as one of the best in South Korea.

In  2025, following his first cooperation with the Oslo Opera, he will make his debut at the Salzburg Whitsun Festival with Traviata , followed by a production of Nabucco at the Teatro Comunale di Modena/Reggio Emilia. He will then be engaged with the Trondheim Symphony Orchestra in a symphonic concert with Elsa Dreisig (Strauss’s Vier Letze Lieder and Mahler’s Fourth Symphony) followed by an opera production for the new season of the Monte-Carlo Opera.

On the symphonic side, he has lately conducted the Yomiuri Symphony Orchestra, Royal Stockholm Philharmonic, Mozarteumorchester Salzburg,  Brucknerorchester Linz , Radio Symphony Orchestra Berlin, Orchestra of the Komische Oper Berlin with Mischa Maisky, several annual Gala Academy Concerts at Teatro Alla Scala in Milan, the Orchestra of Teatro Lirico di Cagliari and  the Russian National Orchestra at the Rostropovich Festival in Moscow.            Zanetti has worked with the Czech Philharmonic, Weimar Staatskapelle, Konzerthausorchester Berlin, Wiener Symphoniker, Orchestre Philharmonique de Radio France, CBSO, Manchester Hallé Orchestra, Finnish and Swedish Radio Symphony Orchestras and the New Zealand Symphony. In Asia, he developed a close relationship with the NHK Symphony Tokyo, as well as with the China Philharmonic and Guangzhou Symphony Orchestra.

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In the last season, in addition to his return to the Teatro Lirico in Cagliari and with the Trondheim Symphony Orchestra, he continued his more than twenty-year presence at the  Staatsoper Unter den Linden in Berlin and his long collaboration with the Monte-Carlo Opera, where he conducted a new production of Don Carlo.

Zanetti also inaugurated the 70th Puccini Festival in Torre del Lago, on the centenary of the composer's death, with a new production of Le Villi and Edgar, directed by Pier Luigi Pizzi, proposed in their first version and as a diptych.

Highlights of recent operatic  seasons include I Due Foscari with Placido Domingo at the Monte Carlo Opera, a new production of Madama Butterfly at the Sydney Opera House, Don Giovanni, Traviata, Boheme, Fanciulla del West and Don Carlo at the Berlin Staatsoper, Carmen and Il Barbiere di Siviglia at the Teatro alla Scala.

In the past years, Massimo Zanetti has cooperated with the NCPA Beijing, Gran Teatre del Liceu Barcelona, Bayerische Staatsoper Muenchen, Semperoper Dresden, Chicago Lyric Opera, Royal Opera House (Covent Garden), Paris Opéra, Teatro del Maggio Musicale Fiorentino, Teatro Regio Parma, Opera di Roma, Comunale di Bologna, Teatro Regio Torino, San Francisco Opera, San Diego Opera, Royal Swedish Opera, Opèra Royale de Wallonie, Teatro Real de Madrid, ABAO Bilbao, among many others.

Massimo Zanetti’s discography includes The Verdi Album  with Sonya Yoncheva (Sony Classical, 2018), Verdi’s Simon Boccanegra with the Vienna Symphony Orchestra (Decca, 2013),  Rigoletto and I Vespri Siciliani  as part of the ‘Tutto Verdi’ project with Teatro Regio di Parma (Unitel Classica, 2008 and 2010). He has also recorded  Flavio Testi’s Saül  with the Orchestre Philharmonique de Radio France (Naïve, 2004). 

Management:

For Asia and special projects: 

Wray Armstrong

wrayarmstrong@gmail.com

Official website:

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